One rainy January day Dan Shafer and I collaborated on a photo shoot with photographer Josh Samson. I requested that the shoot capture a cover photo, as well as document letters, slides, and ephemera for Dan to add to the visual mix of the book. It was a day of gratitude for my pack rat sensibilities. Dan would add these new images to his growing collection of my sketchbooks and personal photos I’d already provided.
Josh’s home studio linked his camera to his laptop, so we could immediately see each image in greater detail. After staging my cover shot, we moved through my life one item at a time: old passports, party favors (photographed above), and a stiff section of Wisconsin birch bark were put under the lights. Dan frontloaded the process so that the most difficult shots were tackled first, with the easiest ones left for the end of the day.
Outside of a lunch break, we worked steadily. Dan and I arranged the items; Josh manipulated his camera and the lighting. Josh took multiple shots of each item until we all agreed we had a winner. Josh’s biggest coup was capturing slides illuminated through a light box he’d devised at my request. This required three exposures that he would later overlay in Photoshop. Huzzah!
I walked away that day with a new batch of memories in digital form and a cover. These visuals made the book feel more tangible and I was motivated for the homestretch of final drafts and layout.